Sign Language Phonology
| Sign | Handshape | MOV | LOC |
|---|---|---|---|
| Food | fO | The handshape moves upwards to the location | Mouth |
| Air | 5 | Both hands move forward and backward in a fan like position | Neutral Space |
| About | G | Both hands move in circular manner alternatively | Neutral space |
| Coffee | C | The dominant hand moves upwards to the location | Mouth |
| Jam | G: DH: H and WH: 5 | The G handshape moves from right to left at the first location. The weak hand H rubs the weak hand 5 from right to left. | Lower lip |
| Name | G | The G handshape moves upward to the left side of the chest | Chest |
| Important | G and F | The G handshape moves upwards and touches the location and then moves downwards to the second locaio | Cheek |
| Obey | 5 | The hand touches the chest | Chest |
| New | O | The handshape first extend upwards and comes to the location in a rapid manner | Neutral Space |
| Alone | G | The handshape makes a circular movement at the neutral space | Neutral Space |
| King | B | The handshape move upwards to the location | Forehead |
| Face | G | The handshape moves around the face | Face |
| Accuse | I | The handshape moves downwards from the right side of the signer in a rapid manner | Neutral Space |
| Old | A | The handshape moves upwards and makes a small twisting movement below the location | Chin |
| Deaf | G | The handshape moves upwards and touches the first location and then moves downwards and touches the | Ear |
| Happy | fO | The handshape moves upwards in a rapid movement | Chest |
| Good | Ext A | The handshape moves upwards in front of the signer | Neutral space |
| Forget | flexed B | The handshape rubs the location and then moves downwards in a rapid manner | Forehead |
| Man | G and B | The handshape swipes the location completing its motion in a fluid movement in an extended A handshape. The BB HS moves upwards | Above upper lips |
| Like | F | The outer palm surface of the hand moves towards and touches the chest and then moves forward in front of the signer | Chest |
| Make | G | The right hand faces the left hand and makes small twisting movement repeatedly at location | Neutral space |
HS1
HS2
HS3
HS4
HS5
HS6
HS7
HS8
HS9
HS10
HS11
HS12
HS13
HS14
HS15
HS16
HS17
HS18
HS19
HS20
HS21
HS22
HS23
HS24
HS25
HS26
HS27
HS28
HS29
HS30
HS31
HS32
HS33
HS34
HS35
HS36
HS37
HS38
HS39
HS40
HS41
Location
| Code | Bloc | Sign | |
| BLoc1 | VERTEX | BRAIN | View |
| BLoc2 | FRONTALIS | BLACK | View |
| BLoc3 | FOREHEAD | FORGET | View |
| BLoc4 | TEMPLE | THINK | View |
| BLoc5 | EAR | EAR | View |
| BLoc6 | EYE CONE | NAGALAND | View |
| BLoc7 | LOWER EYELID | CRY | View |
| BLoc8 | EYE | BLIND | View |
| BLoc9 | EYEBROW | EYEBROW | View |
| BLoc10 | EAR LOBULE | LISTEN | View |
| BLoc11 | NOSE BRIDGE | BLUE | View |
| BLoc12 | NOSE TIP | LIE | View |
| BLoc13 | NOSE GROOVE | MOTHER | View |
| BLoc14 | CHEEK BONE | PINK | View |
| BLoc15 | FACE | FACE | View |
| BLoc16 | PHILTRAL | FATHER | View |
| BLoc17 | PHILTRAL COLUMN | HITLER | View |
| BLoc18 | CHEEK | SLEEP | View |
| BLoc19 | MOUTH | WHISTLE | View |
| BLoc20 | LISPS | LIPSTICK | View |
| BLoc21 | WHITE | TEETH | View |
| BLoc22 | CHIN | AGE | View |
| BLoc23 | THROAT | THROAT | View |
| BLoc24 | NECK | KILL | View |
| BLoc25 | SIDENECK | BORING | View |
| BLoc26 | SHOULDER | KHASI | View |
| BLoc27 | DELTOID | HOSPITAL | View |
| BLoc28 | ARM | INJECTION | View |
| BLoc29 | ELBOW | POOR | View |
| BLoc30 | FOREARM INNER | Sign | View |
| BLoc31 | FOREARM OUTER | BITE | View |
| BLoc32 | FOREARM OUTER | BONE | View |
| BLoc33 | BREAST | LIKE | View |
| BLoc34 | CHEST | HAPPY | View |
| BLoc35 | STOMACH | HUNGRY | View |
| BLoc36 | INNER WRIST | DOCTOR | View |
| BLoc37 | HAND | FRIEND | View |
| BLoc38 | PALM | FISH | View |
| BLoc39 | PHALANX OUTER | FEBRUARY | View |
| BLoc40 | PHALANX INNER | WIFE | View |
| BLoc41 | INDEX SIDE | WORK | View |
| BLoc42 | THUMB NAIL | NAILS | View |
| BLoc43 | THUMB BASE | BUTTERFLY | View |
| BLoc44 | INDEX BASE | AMEN | View |
| BLoc45 | RING | RING | View |
| BLoc46 | LITTLE | LITTLE | View |
| BLoc47 | FINGER TIPS | MEET | View |
| BLoc48 | FINGER BASE | AMERICA | View |
| BLoc49 | INDEX-MIDDLE | SANDAL | View |
Movement
Dynamics
| CODE | SIGN | FEATURE | |
|---|---|---|---|
| SHAPE | |||
| DSh1 | BABY | SEMICIRCLE: Ssc | View |
| DSh2 | MOON | CIRCLE: so | View |
| DSh3 | WHO | SPIRAL: sp | View |
| DSh4 | SEA | WAVY: Swv | View |
| DSh5 | SQUARE | SQUARE: Ssq | View |
| DSh6 | VASE | OVAL: ov | View |
| SIZE | |||
| DSz1 | BIG | BIG (a) | View |
| DSz2 | SMALL | SMALL(c) | View |
| SPEED | |||
| DSp1 | HURRY | FAST | View |
| FINISH | FAST | View | |
| DSP2 | CLEAN | SLOW | View |
| SLOWLY | SLOW | View |
Macro
| CODE | Movement | Word | |
|---|---|---|---|
| MacM1 | UP | Morning | View |
| MacM2 | DOWN | Night | View |
| MacM3 | UP & DOWN UNISON | Result | View |
| MacM4 | UP & DOWN ALTERNATE | Exam | View |
| MacM5 | OUT | See | View |
| MacM6 | IN | Water | View |
| MacM7 | IN & OUT ALTERNATELY | Communication | View |
| MacM8 | IN & OUT UNISON | Teach | View |
| MacM9 | TO SYMMETRY | Day | View |
| MacM10 | To LATERAL | Children | View |
| MacM11 | TO SYMMETRY & LATERAL ALTERNATIVE | Science | View |
| MacM12 | TO SYMMETRY & LATERAL UNISON | Earthquake | View |
NMF / NMA
Orientation
| CODE | ORIENTATION OF THE INNER PALM SURFACE | ORIENTATION OF THE FINGERTIPS SIGN | SIGN | |
|---|---|---|---|---|
| Ori1 | UP/FRONT | TOWARDS THE LINE OF BILATERAL SYMMETRY | WELCOME | VIEW |
| Ori2 | UP/FRONT | AGAINST THE LINE OF BILATERAL SYMMETRY | MARKET | VIEW |
| Ori3 | UP/FRONT | TOWARDS THE ADRESSEE | BORN | VIEW |
| Ori4 | UP/FRONT | TOWARDS THE SIGNER | WORRY | VIEW |
| Ori5 | DOWN/BACK | TOWARDS THE LINE OF BILATERAL SYMMETRY | MUSLIM | VIEW | Ori5 | DOWN/BACK | TOWARDS THE LINE OF BILATERAL SYMMETRY | MUSLIM | VIEW | Ori6 | DOWN/BACK | AGAINST THE LINE OF BILATERAL SYMMETRY | AGAIN | VIEW | Ori7 | DOWN/BACK | TOWARDS THE ADRESSEE | BALCONY | VIEW | Ori8 | DOWN/BACK | TOWARDS THE SIGNER | PERSON | VIEW | Ori9 | NEUTRAL | TOWARDS THE LINE OF BILATERAL SYMMETRY | CHILDREN | VIEW | Ori10 | NEUTRAL | AGAINST THE LINE OF BILATERAL SYMMETRY | TIRED | VIEW | Ori11 | NEUTRAL | TOWARDS THE ADRESSEE | BLUE | VIEW | Ori12 | NEUTRAL | TOWARDS THE SIGNER | NOW | VIEW | Ori13 | NEUTRAL | TOWARDS THE SKY | WAY | VIEW | Ori14 | NEUTRAL | TOWARDS THE GROUND | ME | VIEW | Ori15 | FRONT | TOWARDS THE SKY | KNOW | VIEW | Ori16 | FRONT | TOWARDS THE GROUND | HERE | VIEW | Ori17 | BACK | TOWARDS THE SKY | STOP | VIEW | Ori18 | BACK | TOWARDS THE GROUND | TOWARDS THE GROUND | VIEW |